Art Symposium 2012

Painting the Big Picture

by Eileen Coristine

The ninth annual Art of the Peace Symposium kicked off March 2 with the opening of the Art of the Peace Travelling Exhibition in the Centre for Creative Arts Gallery in Grande Prairie. Over the next two days, participants were inspired, encouraged and instructed by painter Carl White, carver Grant Berg and ceramicist KJ MacAlister.

Carl White decided early on that the legitimacy of art as a career called him to live that life fully. Not wanting to be a part-time artist he committed to a path he calls “I will choke until I swallow”. Not only does this path have him working as an artist fulltime, he also gives every aspect of his life the same focus and energy; all of it is art.

As well as creating masterful works, mainly through painting very large canvasses in oil, White spends as much time altering, obscuring and scratching poems onto them. Often he completes a piece by pouring or splashing paint onto a canvas that is five or six paintings deep.

Grant Berg, KJ MacAlister and Carl White

“I love it (art) but laugh at the folly of it too,” he said. “I am classically irreverent, I love it but I’m not attached to it.” Much more significant to White than his paintings themselves is the experience of making them. “A painting is the snakeskin that is left behind from the process of growth,” he says. And to him the point of doing art is to experiment and to challenge himself towards growth.

Grant Berg loves art and makes sure it is present in his life every single day. The Sexsmith stone-carver appreciates, creates and gives to the art community through his works and through his good works as chairman of the Prairie Art Gallery Board of Directors, board member of the Centre for Creative Arts and member of the Premier’s Council on Arts and Culture.

Berg’s love of art began as a teenager when a serious illness resulted in his staying in a hospital for an extended period. “The artworks in the hospital were a mental escape from the pain I was in,” he says “and those works still influence my carvings today.”

His admiration for artists Emily Carr and Lauren Harris is especially evident in Berg’s carved trees.

“The moment I started working with stone magic happened. Seeing inside the stone and seeing inside me,” says Berg. Inside of him are all the stories from his Cree and European family histories and memories of the good and bad experiences in his life. “I knew carving was going to be an adventure and I have documented my journey.”

“I live art fully,” says Berg. His early illness gave him a deep appreciation for life and he fills his days with skill and dedication, determined not to waste one minute of precious time.

“What I’d like to say to artists,” says Berg, “is draw from your own background, embrace your influences and turn the negatives in your life into positives in your art.”

KJ MacAlister has travelled to Japan where the people “immerse themselves in beauty every day” and claims that making that trip changed the way her brain works. Since her return she has had a new way of looking at her surroundings and her pottery.

KJ feels that texture gives each piece a life of its own. The texture comes from a variety of sources including the clay, the type of glaze and firing and the many found objects that she uses to enhance the surface. “Each bowl is its own journey, even physically,” she says. On their journey, her favorite pots have gone through wood-firing. That process of extreme heat and extreme unpredictability ensures that you “will never have the same pot come out of two different firings.”

The love of wood-firing inspired MacAlister to build a small kiln at Pipestone Creek, where she was raised. Her rural upbringing has been a strong influence in her work, both in form and in texture. “Spending my childhood with trees around me, why wouldn’t I make pots that look like bark when I grew up?” she asks. “I can be so immersed in the tactility of what I’m doing that it is almost a meditation.”

At present, MacAlister is employed offering technical support and instruction at Clayworks Studio-Link in Edmonton. Spending her days with clay and inspiring the people around her, she’s often captured by the natural things in our lives that can be used to make art.

Closing her presentation with questions MacAlister asked, “Would your experience change if drinking from a cup had a tactile experience with it? Would it be enhanced? Keep your eyes open for the texture in your world.”

                  


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Three Floral Photographers

by Susan ThompsonGertrude Stein famously said “A rose is a rose is a rose”. Yet throughout human history flowers have been used not only to beautify our homes and lives, but as symbols and metaphors for everything from romance to femininity to the cycle of human existence itself.   These three floral photographers all emphasize the learning curve they followed to become better able to capture their own visions of the world with a camera. Just like the flowers they photograph, they are constantly seeking the light.

Klaus Peters

[caption id="attachment_1839" align="alignright" width="350" caption="Tulip Petals"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="262" /> [/caption]Klaus Peters first got into photography in 1993, taking photos for his wife Rika Peters, a painter. She needed something to use as subjects for her paintings, but Klaus found that he enjoyed taking the pictures for himself as well as for his wife. “From there it developed,” he explains, pun perhaps intended. “I started out with beauty. I see a scene, and say oh, that’s a picture, that’s something I want to capture.”In 2003 Peters went digital, and his photography took off. “I think that the price of a photo in those days was about one dollar a photo. Now I was taking pictures left, right and centre and it didn’t cost me a thing. It freed me up to learn. I could take ten pictures instead of two pictures, and that learning curve really helped me.”However, Peters still credits his wife’s artistic eye for helping him learn to compose a photo. “I was a carpenter by trade and everything had to be straight and level. I had to relearn what crooked meant. She taught me a lot about composition.”“Flowers are my passion, and then comes birds. With the flowers, I go into macro, and then you can learn to take pictures that are out of focus, instead of the carpenter’s way.” Peters now spends each winter taking photos of flowers, such as a recent photo shoot of daffodils. “In the wintertime it’s an indoor sport.” However, he doesn’t limit himself only to flowers, making sure to capture images of everything from the birds at the feeder outside his window to the nesting blue herons he hopes to see this spring.Peters’ work is regularly displayed at Picture Perfect in Grande Prairie, and most recently a dozen of his photos were also displayed at the Ovations Theatre.

Sharon Krushel

[caption id="attachment_1840" align="alignright" width="350" caption="Wild Roses After Rain"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="249" /> [/caption]Sharon Krushel is a floral photographer who, like Peters, began photography almost accidentally. Her first nature photography was for the purpose of Powerpoint backgrounds. She found that song lyrics were more visible on dark backgrounds, and started looking for images with a dark background but a few flowers catching sunlight.The images came to symbolize something for Krushel, a meaning she continues to pursue in her photography. “There are certain images I find speak to me. I’m looking for images of hope, grace, survival, and perseverance.”“Sometimes we get feeling trapped in a work situation or other environment where we feel that the artist in us is being paved over. I remember heading for the hills feeling extremely weighed down and depressed on a very dreary day in late May, when I came upon a tiny wild violet barely visible under a dump of snow. It was at the topmost point of my hike, and I had not brought my camera.So I walked down through the snow, the slush, and the mud to get my Nikon, and I don’t even know how long I was on my belly on the ground photographing this little Johnny Jump Up smiling bravely at me from under that heavy, wet blanket. I went back the next day with my camera, and there it was open to the light, with only one drop of melted snow remaining on one petal.” For Krushel, it was a profound message, a sign in flower form.“I seem to see life in pictures, but I so often couldn’t capture what I saw. A lot of times it would be specific lighting, but the photograph would turn out differently,” she explains.Krushel now feels that her work has progressed to the point where she can capture the way she sees things, showing tiny pieces of light in the darkness.

Kim Scott

[caption id="attachment_1841" align="alignright" width="350" caption="Untitiled"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="233" /> [/caption]Kim Scott was recently invited by the Prairie Art Gallery to show the photos she has taken of the gallery restoration during the last six months. This exhibit will be her first public show since she left school. Scott studied photography after high school, and also took architectural photography for three years at university but eventually put photography on hold for two decades.During that hiatus, Scott noticed her vision deteriorating. “Due to my perseverance in finding a doctor who took me seriously the brain tumor pushing against my optic nerve was removed. I noticed when it came back a second time, and had more surgery plus radiation. The radiation left me with some memory and attention troubles, but luckily, most of my vision came back.” This very literal change in Scott’s vision still affects her and her photographic works.“Every day I am consciously aware of and thankful for my vision. I regained nearly normal eyesight after both surgeries. Because of the remaining double vision, I do need to turn my body more than my head to look left or right. And, I read with one eye closed, just like I take pictures. One eye is for close, the other for far away. Each eye sees colors a bit differently, so I have a choice.”“It is so thrilling to learn different ways to photograph and process, and my favorite has been macro flowers. Macro photography shows us hidden landscapes, sometimes populated with their own now visible creatures.” Scott adds that flowers celebrate life, something she has also learned to do since her surgeries. Scott also finds that she has not only become fascinated with floral subjects, but the very light that illuminates them. “Light hides and light reveals. It is the glow of backlight, the texture of sidelight, and the strike of front light, the last of the light and the first, especially when I am up all night. Sunshine shows textures, shadows, and drama, while cloudy days reveal shape and form,” she says. “I follow the light.”
6 years ago

Three Floral Photographers

by Susan ThompsonGertrude Stein famously said “A rose is a rose is a rose”. Yet throughout human history flowers have been used not only to beautify our homes and lives, but as symbols and metaphors for everything from romance to femininity to the cycle of human existence itself.   These three floral photographers all emphasize the learning curve they followed to become better able to capture their own visions of the world with a camera. Just like the flowers they photograph, they are constantly seeking the light.

Klaus Peters

[caption id="attachment_1839" align="alignright" width="350" caption="Tulip Petals"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="262" /> [/caption]Klaus Peters first got into photography in 1993, taking photos for his wife Rika Peters, a painter. She needed something to use as subjects for her paintings, but Klaus found that he enjoyed taking the pictures for himself as well as for his wife. “From there it developed,” he explains, pun perhaps intended. “I started out with beauty. I see a scene, and say oh, that’s a picture, that’s something I want to capture.”In 2003 Peters went digital, and his photography took off. “I think that the price of a photo in those days was about one dollar a photo. Now I was taking pictures left, right and centre and it didn’t cost me a thing. It freed me up to learn. I could take ten pictures instead of two pictures, and that learning curve really helped me.”However, Peters still credits his wife’s artistic eye for helping him learn to compose a photo. “I was a carpenter by trade and everything had to be straight and level. I had to relearn what crooked meant. She taught me a lot about composition.”“Flowers are my passion, and then comes birds. With the flowers, I go into macro, and then you can learn to take pictures that are out of focus, instead of the carpenter’s way.” Peters now spends each winter taking photos of flowers, such as a recent photo shoot of daffodils. “In the wintertime it’s an indoor sport.” However, he doesn’t limit himself only to flowers, making sure to capture images of everything from the birds at the feeder outside his window to the nesting blue herons he hopes to see this spring.Peters’ work is regularly displayed at Picture Perfect in Grande Prairie, and most recently a dozen of his photos were also displayed at the Ovations Theatre.

Sharon Krushel

[caption id="attachment_1840" align="alignright" width="350" caption="Wild Roses After Rain"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="249" /> [/caption]Sharon Krushel is a floral photographer who, like Peters, began photography almost accidentally. Her first nature photography was for the purpose of Powerpoint backgrounds. She found that song lyrics were more visible on dark backgrounds, and started looking for images with a dark background but a few flowers catching sunlight.The images came to symbolize something for Krushel, a meaning she continues to pursue in her photography. “There are certain images I find speak to me. I’m looking for images of hope, grace, survival, and perseverance.”“Sometimes we get feeling trapped in a work situation or other environment where we feel that the artist in us is being paved over. I remember heading for the hills feeling extremely weighed down and depressed on a very dreary day in late May, when I came upon a tiny wild violet barely visible under a dump of snow. It was at the topmost point of my hike, and I had not brought my camera.So I walked down through the snow, the slush, and the mud to get my Nikon, and I don’t even know how long I was on my belly on the ground photographing this little Johnny Jump Up smiling bravely at me from under that heavy, wet blanket. I went back the next day with my camera, and there it was open to the light, with only one drop of melted snow remaining on one petal.” For Krushel, it was a profound message, a sign in flower form.“I seem to see life in pictures, but I so often couldn’t capture what I saw. A lot of times it would be specific lighting, but the photograph would turn out differently,” she explains.Krushel now feels that her work has progressed to the point where she can capture the way she sees things, showing tiny pieces of light in the darkness.

Kim Scott

[caption id="attachment_1841" align="alignright" width="350" caption="Untitiled"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="233" /> [/caption]Kim Scott was recently invited by the Prairie Art Gallery to show the photos she has taken of the gallery restoration during the last six months. This exhibit will be her first public show since she left school. Scott studied photography after high school, and also took architectural photography for three years at university but eventually put photography on hold for two decades.During that hiatus, Scott noticed her vision deteriorating. “Due to my perseverance in finding a doctor who took me seriously the brain tumor pushing against my optic nerve was removed. I noticed when it came back a second time, and had more surgery plus radiation. The radiation left me with some memory and attention troubles, but luckily, most of my vision came back.” This very literal change in Scott’s vision still affects her and her photographic works.“Every day I am consciously aware of and thankful for my vision. I regained nearly normal eyesight after both surgeries. Because of the remaining double vision, I do need to turn my body more than my head to look left or right. And, I read with one eye closed, just like I take pictures. One eye is for close, the other for far away. Each eye sees colors a bit differently, so I have a choice.”“It is so thrilling to learn different ways to photograph and process, and my favorite has been macro flowers. Macro photography shows us hidden landscapes, sometimes populated with their own now visible creatures.” Scott adds that flowers celebrate life, something she has also learned to do since her surgeries. Scott also finds that she has not only become fascinated with floral subjects, but the very light that illuminates them. “Light hides and light reveals. It is the glow of backlight, the texture of sidelight, and the strike of front light, the last of the light and the first, especially when I am up all night. Sunshine shows textures, shadows, and drama, while cloudy days reveal shape and form,” she says. “I follow the light.”
6 years ago

Three Floral Photographers

by Susan ThompsonGertrude Stein famously said “A rose is a rose is a rose”. Yet throughout human history flowers have been used not only to beautify our homes and lives, but as symbols and metaphors for everything from romance to femininity to the cycle of human existence itself.   These three floral photographers all emphasize the learning curve they followed to become better able to capture their own visions of the world with a camera. Just like the flowers they photograph, they are constantly seeking the light.

Klaus Peters

[caption id="attachment_1839" align="alignright" width="350" caption="Tulip Petals"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="262" /> [/caption]Klaus Peters first got into photography in 1993, taking photos for his wife Rika Peters, a painter. She needed something to use as subjects for her paintings, but Klaus found that he enjoyed taking the pictures for himself as well as for his wife. “From there it developed,” he explains, pun perhaps intended. “I started out with beauty. I see a scene, and say oh, that’s a picture, that’s something I want to capture.”In 2003 Peters went digital, and his photography took off. “I think that the price of a photo in those days was about one dollar a photo. Now I was taking pictures left, right and centre and it didn’t cost me a thing. It freed me up to learn. I could take ten pictures instead of two pictures, and that learning curve really helped me.”However, Peters still credits his wife’s artistic eye for helping him learn to compose a photo. “I was a carpenter by trade and everything had to be straight and level. I had to relearn what crooked meant. She taught me a lot about composition.”“Flowers are my passion, and then comes birds. With the flowers, I go into macro, and then you can learn to take pictures that are out of focus, instead of the carpenter’s way.” Peters now spends each winter taking photos of flowers, such as a recent photo shoot of daffodils. “In the wintertime it’s an indoor sport.” However, he doesn’t limit himself only to flowers, making sure to capture images of everything from the birds at the feeder outside his window to the nesting blue herons he hopes to see this spring.Peters’ work is regularly displayed at Picture Perfect in Grande Prairie, and most recently a dozen of his photos were also displayed at the Ovations Theatre.

Sharon Krushel

[caption id="attachment_1840" align="alignright" width="350" caption="Wild Roses After Rain"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="249" /> [/caption]Sharon Krushel is a floral photographer who, like Peters, began photography almost accidentally. Her first nature photography was for the purpose of Powerpoint backgrounds. She found that song lyrics were more visible on dark backgrounds, and started looking for images with a dark background but a few flowers catching sunlight.The images came to symbolize something for Krushel, a meaning she continues to pursue in her photography. “There are certain images I find speak to me. I’m looking for images of hope, grace, survival, and perseverance.”“Sometimes we get feeling trapped in a work situation or other environment where we feel that the artist in us is being paved over. I remember heading for the hills feeling extremely weighed down and depressed on a very dreary day in late May, when I came upon a tiny wild violet barely visible under a dump of snow. It was at the topmost point of my hike, and I had not brought my camera.So I walked down through the snow, the slush, and the mud to get my Nikon, and I don’t even know how long I was on my belly on the ground photographing this little Johnny Jump Up smiling bravely at me from under that heavy, wet blanket. I went back the next day with my camera, and there it was open to the light, with only one drop of melted snow remaining on one petal.” For Krushel, it was a profound message, a sign in flower form.“I seem to see life in pictures, but I so often couldn’t capture what I saw. A lot of times it would be specific lighting, but the photograph would turn out differently,” she explains.Krushel now feels that her work has progressed to the point where she can capture the way she sees things, showing tiny pieces of light in the darkness.

Kim Scott

[caption id="attachment_1841" align="alignright" width="350" caption="Untitiled"]http://www.artofthepeace.ca/wp-content/uploads/2012/05/P1020853-350x262.jpg" alt="" width="350" height="233" /> [/caption]Kim Scott was recently invited by the Prairie Art Gallery to show the photos she has taken of the gallery restoration during the last six months. This exhibit will be her first public show since she left school. Scott studied photography after high school, and also took architectural photography for three years at university but eventually put photography on hold for two decades.During that hiatus, Scott noticed her vision deteriorating. “Due to my perseverance in finding a doctor who took me seriously the brain tumor pushing against my optic nerve was removed. I noticed when it came back a second time, and had more surgery plus radiation. The radiation left me with some memory and attention troubles, but luckily, most of my vision came back.” This very literal change in Scott’s vision still affects her and her photographic works.“Every day I am consciously aware of and thankful for my vision. I regained nearly normal eyesight after both surgeries. Because of the remaining double vision, I do need to turn my body more than my head to look left or right. And, I read with one eye closed, just like I take pictures. One eye is for close, the other for far away. Each eye sees colors a bit differently, so I have a choice.”“It is so thrilling to learn different ways to photograph and process, and my favorite has been macro flowers. Macro photography shows us hidden landscapes, sometimes populated with their own now visible creatures.” Scott adds that flowers celebrate life, something she has also learned to do since her surgeries. Scott also finds that she has not only become fascinated with floral subjects, but the very light that illuminates them. “Light hides and light reveals. It is the glow of backlight, the texture of sidelight, and the strike of front light, the last of the light and the first, especially when I am up all night. Sunshine shows textures, shadows, and drama, while cloudy days reveal shape and form,” she says. “I follow the light.”
6 years ago